Five early woodblock prints by the Sosaku Hanga master, Toru Mabuchi. KASAMATSU SHIRO-Japanese Artist-Signed/Stamped Lim. The wood chosen for woodblocks was sakura (cherry wood), a fine-textured wood with a straight grain. It is possible to make an almost unlimited amount prints from a set of blocks, but in the West where the printmaker works alone throughout the process, editions are usually relatively small. The text page reads: The Process of 'Wood-block Color Print'. The number of impressions is always greater than the number of color blocks due to desirable effects that can only be created by over-printing colors and gradation. Premium quality hand-made Japanese paper (the only paper tough enough to survive the process) is then dampened, the level of dampness must be perfect and must be maintained throughout printing, and impressions are taken from the inked individual color blocks, one at a time, using a Japanese hand-made baren, or printing disk which fuses the ink with the paper, until the print is completed. The making of the kento is exactly and precisely repeated on these blocks, insuring simple and accurate registration. The original artist is (Utagawa Kuniyasu). This is the Japanese morning glory, Latin name Ipomoea nil, or Pharbitis nil. This Japanese woodblock print reproduction features a woman carrying a morning glory flower in a bowl. These prints are in turn pasted to wood blocks, and each is then carved leaving only specific color areas in relief. Close up view of the Asian woman artwork mounted to this silk brocade wall scroll. From it are made as many outline prints as there are to be color blocks, each color requiring a separate block.
![where to buy cherry woodblocks for moku hanga where to buy cherry woodblocks for moku hanga](https://i.etsystatic.com/5296754/r/il/47d584/2429268034/il_300x300.2429268034_knis.jpg)
#Where to buy cherry woodblocks for moku hanga registration#
This block is carved leaving only the outlines in relief, and notches for registration called kento are carved on the edge of the block which is now the ‘key’ or master block.
![where to buy cherry woodblocks for moku hanga where to buy cherry woodblocks for moku hanga](https://i.pinimg.com/originals/ac/db/a8/acdba88cc699e476a8f05d652d306229.jpg)
This design is then drawn in outline on thin Japanese paper which in turn is pasted to a hardwood block. In this country and at this time this is not practical, and the western printmaker must do all on his or her own.įirst, a design is created, and the colors of the finished print are planned. The technique is labor intensive, and the Japanese divided the labor between three different people: one who made the design, one who carved the blocks, and one who printed. The black area on the upper left of the wood block (shina plywood) is the area that was used to print the first. Over the course of three centuries the Japanese perfected the making of color prints by hand, culminating in the works of the masters Hokusai, Hiroshi and Toshi Yoshida, and Kawase Hasui. Last week, I took a one week course (4 days) introducing Japanese Woodblock printing.The top photo shows the basic printing set up.